~I0,500;⊗VLN01.PLT;
L-650,800;FADIRECT~
L-650,770;FASIGNAL~
L50,500;F8FREQUENCY IN KHZ~
L-300,850;F8A~
L-300,830;F8M~
L-300,810;F8P~
L-300,790;F8L~
L-300,770;F8I~
L-300,750;F8T~
L-300,730;F8U~
L-300,710;F8D~
L-300,690;F8E~

I600,500;⊗CRV.PLT;
L-650,200;FACOMB/ALL-PASS~
L-650,170;FACOMBINATION~
L50,-100;F8FREQUENCY IN KHZ~
L-300,250;F8A~
L-300,230;F8M~
L-300,210;F8P~
L-300,190;F8L~
L-300,170;F8I~
L-300,150;F8T~
L-300,130;F8U~
L-300,110;F8D~
L-300,90;F8E~

I1200,500;⊗RV1.PLT;
L-650,-400;FAPURE~
L-650,-430;FAALL-PASS~
L50,-700;F8FREQUENCY IN KHZ~
L-300,-350;F8A~
L-300,-370;F8M~
L-300,-390;F8P~
L-300,-410;F8L~
L-300,-430;F8I~
L-300,-450;F8T~
L-300,-470;F8U~
L-300,-490;F8D~
L-300,-510;F8E~

M1NGB25;
L-550,-860;
FAFigure 17.~
L-350,-860;F1Long-term spectra of violin tone, reverberated with comb/all-pass~
L-350,-890;F1reverberator, and with pure all-pass reverberator. The coloration~
L-350,-920;F1of the comb/all-pass combination is often very slight.~L-10,1000;FA49a~